Reporter Quentin Cooper brings us this story.

Head underground to hear how some of the first subways were built, and how they are built today.

This story was originally produced by Bishop Sand in 2013. It was hosted for Transistor by Genevieve Sponsler and mixed for Transistor by Josh Swartz.

Image: CC BY-SA 3.0 Adam E. Moreira | Music: Whurlywind from Podington Bear

Something unusual happens about a half mile under the sea. Ocean physics create a special zone where sound travels for hundreds, even thousands of miles. Whales use it, and cold warriors plumbed its secrets. Listen in:

This story was produced by David Schulman in 2014. It was hosted for Transistor by Genevieve Sponsler and mixed for Transistor by Josh Swartz.

In this episode: an astronomer has turned the night sky into a symphony; an architecture firm has radically re-thought police stations; and an audiophile builds a successful record company on under-appreciated sounds.

For even more from Sidedoor, subscribe in iTunes or wherever you get your podcasts.

Music credits under backannounce: “Candy” by Jahzzar.

In this episode: two besties turn into lifelong enemies over a dining room; a researcher embraces the panda craze; and why some dinosaur skulls were built to take a beating.

For even more from Sidedoor, subscribe in iTunes or wherever you get your podcasts.

Music credits under backannounce: “Walking Barefoot On Grass” by Kai Engel.

For even more from Sidedoor, subscribe in iTunes or wherever you get your podcasts.

Oxford evolutionary neuroscientist Bronwyn Tarr was in a remote area of Brazil to begin an experiment. On her first night there, she heard distant drumbeats, went looking for them, and experienced firsthand what she was there to study: how dancing develops a sense of community.

This story was produced by Katie Burke in 2015 with the assistance of Jagmeet Mac, and edited by Andrea Mustain. It was hosted for Transistor by Genevieve Sponsler and mixed for Transistor by Josh Swartz.

Image by: José Roberto Corrêa

This story was produced by Tobin Low in 2015 and edited by Andrea Mustain. It was hosted for Transistor by Genevieve Sponsler and mixed for Transistor by Josh Swartz.

Ancient navigators traveled across the Pacific without the aid of maps or instruments. We’ll hear from modern-day navigators in New Zealand, Hawai’i and North America about the techniques used to do so. This is the art and science of Polynesian wayfinding, brought to us by producer Lily Bui.

This story was produced by Lily Bui in 2015 and edited by Andrea Mustain. It was hosted for Transistor by Genevieve Sponsler and mixed for Transistor by Josh Swartz. Image by Lily Bui.

I found this piece from Adam Hochberg in our archive. It’s about schools remaking science fairs to include more actual science and less papier-mâché volcanos. Enjoy!

As mentioned in the episode, here’s a photo of my Rube Goldberg machine that I built after seeing Newton’s Dream — a large contraption of golf balls moving along tracks — at the Franklin Institute. My version is obviously a bit simpler: drop a ball from the top, and it would roll through the pipe to flip a die suspended on a pipe cleaner inside the box box.

Here’s a video of Netwon’s Dream. Jump to about 21 seconds to see it more in action.

What inspired you to create when you were a child? Do you have a favorite science fair project you’ve seen or done? Share your #sciencefairmemory with me in the comments below or @TransistorShow.

The story in this podcast was produced by Adam Hochberg in 2013. It was hosted for Transistor by Genevieve Sponsler and mixed for Transistor by Josh Swartz.

Photo copyright Genevieve Sponsler.

This episode was produced by Emily Richardson-Lorente with editing by Andrea Mustain. It was curated and hosted for Transistor by Genevieve Sponsler, and mixed for Transistor by Josh Swartz.

Here’s episode 4.

In the spring 2001, a large group of men set out from Mexico to cross the border into Arizona through some of the harshest desert terrain anywhere. The tragic result helped researchers develop the Death Index, a new model for predicting dehydration fatalities.

Here’s episode 3.

In the heart of the Sonoran Desert is the remarkable story of Pablo Valencia, a gold prospector who spent six days wandering in 110-degree heat before stumbling into scientist William McGee’s camp.

Here’s episode 2.

Most of the time, when lightning makes the news, you’re hearing about it because something really unlikely has happened. Like the park ranger who was struck by lightning seven times. Or the strike survivor who also won the lottery. This is not one of those stories. This is about Phil Broscovak and what his life was really like after he was struck.

Ta-da! Our fifth special episode with Cristina Quinn and Alison Bruzek of Trace Elements is here. Let us know what you enjoyed about their series and what surprised you in the comment section below. In just five episodes they’ve covered the science of feeling no fear, illusions with robots, bio-hacking, a mystery at a lake, and this time…

Birds of a feather may flock together — but it turns out birds that live in the city sing at higher frequencies, louder, and more often than their rural friends to outmatch the noise pollution of cars and people. The din of city life is creating new divisions between bird species. Researchers like Elizabeth Derryberry are finding those high-pitched tenors of the bird world aren’t quite as attractive to mates as the lower Barry Whites of the country.

Guests:

Elizabeth Derryberry, Tulane University

David Luther, George Mason University

Special episode #4 featuring Trace Elements with Cristina Quinn and Alison Bruzek. In the 1970s, a geochemist and a biologist banded together to solve a mystery at Lake Oneida in upstate New York. What they found is changing the way we think about human life, and where the origins of life come from.

Guests:

Kenneth Nealson, professor, University of Southern California

Willard Moore, professor emeritus, University of South Carolina

Hacking your hearing aid to implanting NFC tags into your hands — we are now in the age of DIY Bio. Dive into the growing underworld of body modification from the backrooms of tattoo shops to the lab in your kitchen.

Guests:

Frank Swain, biohacker/community manager at New Scientist

Amal Graafstra, CEO of Dangerous Things

Meredith Patterson, technologist

To get future episodes, which come every two weeks, subscribe to the Outside Podcast on iTunes or wherever you lsiten. You can also get the full scoop from PRX’s press release.

Episode two of our special five-part series called Trace Elements — with hosts Cristina Quinn and Alison Bruzek — is here. This time: the how and why of illusion. Maybe you’ll get some April Fools ideas.

Marco Tempest is not your average magician. He uses robots to do magic tricks on stage — but the real trick is in how easily he can get an audience to believe that robot has personality and is almost human.

Guests: Marco Tempest, cyberillusionist

Matt Berlin, co-founder IFRobotics, LLC

Kate Darling, researcher, MIT Media Lab

Engineer: Andrew Kramer

Theme Song: Rory Jackson

Additional Music: Lullatone, Keen Collective, and Golden Gram

Special Thanks: The Great Shiftini, aka Craig LeMoult

Two hosts, one adventure: This episode marks the beginning of five special Transistor episodes featuring Trace Elements. Hosts and producers Cristina Quinn and Alison Bruzek take listeners on an off-road trip into the science that connects us. Learn more here in our super-official press release.

In this episode: Meet a man who woke up from a hospital procedure and no longer felt any fear.

Guests:

Jordy Cernik

Tracy Cernik

Richard Hodin, chief of endocrine surgery at Massachusetts General Hospital

Anand Vaidya, director of the center for adrenal disorders at Brigham & Women’s hospital

Engineer: Andrew Kramer

Theme Song: Rory Jackson

Additional Music: Rory Jackson, Ashwan, Doxent, Cuarto, Sheeba

Special Thanks: Sean Sugrue

In the episode:

Audrey Peattie

Margaret Crane

Gloria Allen

Special thanks to Dr. Jesse Olszynko-Gryn (University of Cambridge), whose research provided the basis for this piece.

This episode was brought to us by the podcast Mother, produced by Amy Gastelum and Anne Noyes Saini.

“Biophilia” refers to the instinctive affection humans have for nature. It’s a term that was coined in the mid-’80s by renowned biologist E.O. Wilson. This story is about just such a connection: Rodney Stotts grew up selling dope and guns. But he’s always loved caring for birds. The drugs landed him in jail. The birds helped set him free.

Rodney Stotts and Mr. Hoots, a Eurasian eagle owl.

Producer/reporter Ari Daniel.

This story was produced by Ari Daniel and edited by Andrea Mustain. Hear more of Ari’s reporting on his site and follow Ari on Twitter.

This episode of Transistor was hosted by Genevieve Sponsler and was mixed by Josh Swartz. The intro/outro music is called “Night Owl” by Broke For Free.

Casey is just four, but he already has an imaginary grandson. What does science say about what imaginary friends do for kids and the adults they become?

Hey listeners, do you remember your imaginary friends? We’d love to hear who they were. Comment below or tweet us @TransistorShow.

This episode’s story was produced by Pien Huang and edited by Andrea Mustain. It was hosted for this episode of Transistor by Genevieve Sponsler and mixed for Transistor by Josh Swartz.

This episode was originally produced by Philip Graitcer for PRX’s STEM Story Project in 2014. It was hosted for this episode of Transistor by Genevieve Sponsler and mixed for Transistor by Josh Swartz.

The debut episode features the infamous Phil Plait of Bad Astronomy, as Michelle and Phil talk about why aliens get the credit for almost everything unexplainable. And episode two is in the works with another guest you won’t want to miss.

Enjoy the show — and get links to subscribe to Orbital Path here.

Orbital Path is produced by Lauren Ober.

Here’s a video of the concert featured in the audio story:

Music for Wolves: Black Prairie from Aubree Bernier-Clarke on Vimeo.

This episode was produced for PRX and Studio 360 with Kurt Andersen by Britt Wray in 2014. It was mixed for Transistor by Josh Swartz.

“52 Hz” is the name given to a mysterious whale that vocalizes at a different frequency than other whales. Some refer to him as “The World’s Loneliest Whale,” but other scientists aren’t convinced that its unique call has left the whale isolated at all.

Craig and George went on a whale watch when they reported this story. See their photos and videos here.

This episode was produced for PRX & Transistor by Craig Shank and George Drake Jr. of Everything Sounds, and was mixed for Transistor by Josh Swartz.

Image from Shutterstock. Not 52 Hz.

This is a special episode featuring science magazine Nautilus.

This episode was produced for PRX and Nautilus by David Schulman.

In this episode, we find him out on the Arctic sea ice drawing on math developed for stealth technology to understand not only the ice, but the bones of people with osteoporosis.

This episode was produced by Ben Harden in 2014 for PRX’s STEM Story Project. It was hosted for this episode of Transistor by Genevieve Sponsler and mixed for Transistor by Erika Lantz.

Image by: Amanda Kowalski

Over the past 20 years, there’s been a revolution in the science of arson investigations. Many of the clues that had been used for decades to determine that a fire was not accidental, especially the analysis of burn patterns on walls and floors, have been proven to be false. Reporter Michael May looks closely at two deadly fires to explore the cutting edge of fire science.

For more on this case, here’s Dave Mann of the Texas Observer on NPR’s All Things Considered last year:

This episode was produced by Michael May in 2013 for PRX’s STEM Story Project. It was hosted for this episode of Transistor by Genevieve Sponsler and mixed for Transistor by Josh Swartz.

Image from Shutterstock.

What does it mean when a woman commits a crime and attributes her actions to PMS? We revisit the court case for — and the science behind — the first use of the “PMS defense” in this country, back in 1981. Featuring the true crime show, Criminal.

This episode was produced by Criminal — Phoebe Judge, Lauren Spohrer, and Eric Mennel — in 2014 for PRX’s STEM Story Project. It was hosted for this episode of Transistor by Genevieve Sponsler and mixed for Transistor by Erika Lantz.

The Last of the Iron Lungs is a portrait of Martha, who contracted polio in 1953. To Martha, the 1940s iron lung is comfort and survival. As a researcher explains in the story, newer machines operate differently, forcing air into the lungs in a way that doesn’t feel right for iron lung patients.

Producer Julia Scott sent us some thoughts about her experience reporting this story:

“Martha’s story is fascinating enough on its own. It’s a radio producer’s dream to be able to capture the kinds of sounds no one will ever hear again – the mechanical bellows, pushing air through a machine older than Martha herself.

“Reporting this story made me realize how distant and abstracted polio has become in our national memory. Martha’s bedroom is dominated by her iron lung, a relic of history that most people my age may never even have heard of (I’m 32). To her, it’s a trusted companion and a lifelong friend. But the iron lung symbolized one of the most terrifying, unpredictable health epidemics of the 20th century. Archival photos like this one brought home the sheer scale of the outbreak – and the prospect of lifelong paralysis that thousands of people endured.

“One of the highlights of this project was being able to try out Martha’s iron lung – something I was a little scared to do. I laid down on the sliding cot, pushed my head through her foam neck collar and she sealed me in. It wasn’t claustrophobic, but I wasn’t counting on how hard it would be stop drawing breath and let the respirator take over pushing my diaphragm in and out, forcing air to whoosh into my throat. ‘Stop trying to breathe!’ Martha instructed. For her, lying in the iron lung is the most comfortable sensation in the world.

“Since the story has aired I’ve received emails from people whose families were touched by polio, grandfathers and great-aunts who spent time in an iron lung but graduated to breathing on their own. They see Martha’s story as part of the same continuum.”

This episode was reported and produced by Julia Scott. It was hosted for this episode of Transistor by Genevieve Sponsler and mixed for Transistor by Erika Lantz.

Image of Martha Lillard © Julia Scott.

Some things can be better left unsaid. Who would have thought that math could be one of them?

Tim Chartier has found a way to fuse his two great loves: math and mime. He and his wife strive to have their audiences become a part of the world that they’re creating on stage, and in so doing, the math becomes at once understandable and unforgettable.

Inside the Episode:

Producer Ari Daniel gives us an inside look on pulling this story together:

“The hardest thing about this story was how to bring math (a subject that most people aren’t especially fond of) and mime (a subject which, by definition, just doesn’t work without being able to see it) to life on the radio. I was fortunate that Tim is an incredible storyteller and communicator, and that he and his wife, Tanya, were so generous with their time and expertise when I visited them. In addition, my editor, Sean Cole, helped me improve this piece immensely, by focusing the storyline and adding humor and creative vitality. This piece is one of my favorites to have worked on.”

After you treat your ears to math and mime, feast your eyes on a video of one of Tim Chartier’s performances. It may not be the most conventional of combinations, but the product of math and mime is nothing short of amazing.

This episode was reported and produced by Ari Daniel under the name “Loving Math and Mime” in 2014 for PRX’S STEM Story Project. It was hosted for this episode of Transistor by Genevieve Sponsler and mixed for Transistor by Erika Lantz.

Told by the couple who lived it, this is a story of how Crohn’s disease can change lives when you least expect it. And it’s a story of how science can present multiple paths to — hopefully — relief or recovery.

What’s it like making a very personal radio piece about your spouse? Jack Rodolico shares it all in this special follow-up article.

For more on treatments for illnesses like Crohn’s and C. diff, listen to The Straight Poop. Our microbiologist host visits a fecal transplant bank north of Boston and shares some of the questions surrounding this experimental treatment.

This is Crohn’s Disease was reported and produced by Jack Rodolico in 2014 for PRX’S STEM Story Project. It was hosted for this episode of Transistor by Genevieve Sponsler and mixed for Transistor by Erika Lantz.

Photo of Christina and Jack by Shelley Fajans.

In music, everything seems to have another digital life. Pianists can play with different voicings on an electric keyboard. Guitarists can filter their instrument’s signal through a pedal or amp to create various effects. Why shouldn’t violinists be able to digitally harness the sound of a Stradivarius? For starters, it takes an incredible feat of engineering to make an authentic-sounding digital violin. Radio reporter (and violinist!) David Schulman takes us to visit a top violinmaker who has been working with a physicist and two engineers to create a prototype digital violin.

Inside the Episode:

Scientists say the violin is one of the hardest instruments to mimic. But MacArthur Award-winning violin maker Joseph Curtin has been working for several years with physicist Gabi Weinreich, along with sound engineer John Bell and industrial designer Alex Sobolev, to create a digital violin. They say its sound will be hard to tell from a recording of a Strad.

Data from 12 different locations let violinmaker Joseph Curtin digitize a violin’s sonic fingerprint.

Joseph Curtin and Alex Sobolev with prototypes of the digital violin

Joseph Curtin’s workbench, where he carves, builds and varnishes his acoustic instruments.

Closeup of some of the pigments and syses used in varnishes for finishing acoustic instruments.

Convolution Reverb samples:

• David Schulman plays an acoustic violin by Joseph Curtin in his workshop in Ann Arbor, Michigan
• The same audio, played through a digital sound map of LA’s Disney Hall captured by sound designer Peter Steinbach
• The same audio, played through a digital sound map of Alcatraz prison, captured by sound designer Peter Steinbach
• The same audio, played through a digital sound map of Egypt’s Giza Pyramid captured by sound designer Peter Steinbach

—

Bonus — Meet David Schulman, the reporter of this story:

PRX was able to ask producer/reporter David Schulman about his experience making this audio story. He says,

“The chance to do this piece brought together several things I am deeply fascinated by — music, violins, sound-rich audio storytelling, and the nature of creativity & discovery.”

Something that didn’t make the final cut of the story, which sheds more light on why a digital Stradivarius is so difficult to engineer, is

“Weinreich’s research has shown that a violin’s sound is in fact deeply varied in the spatial dimension, and that, with each note, the physical power and direction of the overtones changes widely  — one likely reason why it’s hard to actually record an acoustic violin well.”

On convolution, the name of the technology developed for the digital Strad, David says,

“With it’s potential for alternate aural realities, [convolution] is a richly metaphorical area for scientists, artists and storytellers […] Imagine a situation in which  convolution impulse maps are the most vivid documentation remaining of a ransacked temple, or a lost Stradivarius.”

While he was gathering tape and doing interviews, David tells us that he was even able to play some of Curtin’s instruments, an added bonus for someone who is a musician on top of being a radio producer. Still, such an idyllic experience still was not without its challenges:

“The central challenge of the piece involved using demos to link several rich — though rather technical — ideas,and to arrive at a final comparison where you’d hear the digital Strad and an actual Strad, side by side.”

—

This episode was reported and produced by David Schulman in 2013 for PRX’S STEM Story Project. It was hosted for this episode of Transistor by Genevieve Sponsler and mixed by Erika Lantz.

Photos: David Schulman

Dr. Marian Diamond and Wendy Suzuki on Wendy’s undergrad graduation day

Here’s more from Wendy:

A science mentor can make your career. Dr. Marian Diamond not only ushered me into the field of neuroscience with her lively and engaging classes but she has continued to influence me and help me throughout my work as a scientist and teacher.

What made Marian such a profound mentor? Her multi-dimensionality. First, she was the best teacher I have ever experienced in my entire thirty-year career, unendingly fascinated with her specialty, human anatomy, including both brain anatomy and gross human anatomy. Now, if you have never taken an anatomy course before, you should know it can be as dry as learning last year’s tax laws. Marian made anatomy come alive, relating every brain or body part to a question or observation about ourselves, such as “The word uterus means Hysterical- do you agree with this?” Or “Do you know what the largest organ in the body is? It’s your skin- take care of it!” She made anatomy relevant and personal.

Second, she made groundbreaking scientific contributions on the capacity of the brain to change in response to the environment. When she did this work in the late 1950s/early 1960s, nobody believed that the adult brain could change – at least in any ways that scientists could measure. Marian and her colleagues showed that changing a rat’s living space (what she called “enriching” the environment) could have profound effects of the brain’s anatomy and that she could measure them. In this episode, I’ll describe Marian’s pioneering studies and how they related to recent studies showing the profound ways that exercise transforms the brain.

Third, she offered me a role model of a thriving, engaged and enthusiastic female scientist, even if it took me years to appreciate how lucky I was. You see, she was such a powerful presence on the Berkeley campus that I thought that smart strong, successful female neuroscientists who were extraordinary teachers were everywhere! I never questioned whether I would be able to do the same thing, because she showed me that it could be done. Only much later into my post-doctoral studies did I notice that other female scientists didn’t seem to have the same confidence that I did; they saw the sea of men in science with only a few successful women and many found it discouraging.

Only later was I able to fully appreciate what a wonderful gift she gave me as my role model in science. Because Marian did the work she loved, she allowed me to sail right over worries over whether a woman could make it.

In this episode, we’ll hear from Marian herself, as she teaches a class and describes her groundbreaking findings. Her work on brain plasticity is at the heart of the work that I and many neuroscientists pursue today.

— Dr. Wendy Suzuki

This episode was hosted by Wendy Suzuki and produced by Julie Burstein, with editing and sound design by Derek John. Wendy Suzuki’s book Healthy Brain, Happy Life, is on sale now.

Emily Martin

& Richard Cone

In this episode, biologist Christina Agapakis explores ways these blind spots, especially around gender and sexism, have affected research and women’s careers in science. She talks with one of her heroes, anthropologist Emily Martin, and her husband, biophysicist Richard Cone, about Emily’s 1991 article “The Egg & The Sperm.” Reading that article about the ways cultural romantic assumptions limited scientists’ understanding of human reproduction was a turning point for Christina as a young scientist who considered her feminism as something separate from science.

Kate Clancy

She also talks with anthropologist Kate Clancy who has spent a lot of time thinking and writing about the ways women’s careers in science are different from men’s. Kate offers some thoughts on what science needs to consider to truly bring in more underrepresented voices and perspectives. New perspectives and voices in science may be key to science seeing blind spots for the first time.

Episode Extras — Your Transistor producers have picked out some further reading on this topic and how it affects both men and women:

• The Egg & the Sperm by Emily Martin
• The Woman in the Body: A Cultural Analysis of Reproduction by Emily Martin
• Subverting Sperm & Germs by Michael Purdy (April 2002)
• Survey of Academic Field Experiences (SAFE): Trainees Report Harassment and Assault by Kathryn B. H. Clancy, Robin G. Nelson, Julienne N. Rutherford, Katie Hinde, PLoS ONE, July 16, 2014
• Kate Clancy’s Context and Variation blog

This episode was produced by Kerry Donahue and Sruthi Pinnamaneni, and mixed by David Herman.

Music Credits:

Hauschka: “Cube” from Salon des amateurs

Anna Meredith: “Bubble Gun” from Jet Black Raider

Four Tet: “As Serious As Your Life” from Rounds

Not Waving: “Two-Way Mirror” from Intercepts

Laurie Spiegel: “Patchwork” from The Expanding Universe

His discovery came on the heels of the book The Secret Life of Plants, which claimed plants were sentient, emotional creatures with the ability to communicate telepathically with humans. It was a huge bestseller and Rhoades’ experiments sounded like they were straight from the book. His work was criticized, grant funding disappeared, and he eventually left science.

Today, however, Rhoades’ experiments have been replicated, and his theories confirmed. Scientists have found evidence that plants not only communicate with each other but also acknowledge kin, respond to sound waves, and share resources through networks of underground fungi.

—

Bonus! Hear how this radio story went from script to sound-designed mini-doc in this episode of the HowSound podcast:

For even more about the craft of radio storytelling — subscribe to HowSound right here.

Early Bloom was produced by Peter-Frick Wright and Robbie Carver of 30 Minutes West. It was hosted for this episode of Transistor by Genevieve Sponsler and mixed for Transistor by Erika Lantz.

Maricruz Jaramillo (standing) and Samoa Asigau wait for their ride back to the Charles Darwin Research Station after an early morning of catching birds in an agricultural area on Santa Cruz Island.

Samoa holds a male yellow warbler that was caught in a mistnet. Each bird gets weighed and measured, and a small blood sample is taken from underneath one wing to test later for malaria.

Mari measures the wing of a male yellow warbler. This species of warbler is endemic to the Galapagos.

Samoa (left) and Mari look out over the mist-covered hillside at Media Luna, a peak about 2,000 feet above sea level on the island of Santa Cruz. A reddish, broad-leafed shrub called Miconia robinsoniana dominates the landscape.

Samoa (L) says growing up in Papua New Guinea’s capital, Port Moresby, she thought of herself as a “fancy city girl.” She is 7 years old in this family snapshot. Mari (R) has always loved being close to nature.

This episode was produced and reported by St. Louis Public Radio science reporter Véronique LaCapra in 2013 for our STEM Story Project. It was mixed for Transistor by Erika Lantz. All photos (except childhood photos courtesty of the scientists) by Véronique LaCapra.

In this episode of Totally Cerebral, Dr. Wendy Suzuki speaks with neuroscientist Howard Eichenbaum, an expert on olfactory memory, and together with chemist Kent Kirshenbaum, sits down to a meal with Chef Anita Lo to hear how she plays with our senses and our memories in her delicious creations.

This episode was hosted by Wendy Suzuki and produced by Julie Burstein, with editing and sound design by Derek John. Wendy Suzuki’s book Healthy Brain, Happy Life, goes on sale May 19, 2015.

Image from Shutterstock.

Your skin is your largest organ and is also is a thriving ecosystem, covered in bacteria. While many of us consider regular showers key to keeping our skin healthy, a group of scientists — and artists — are starting to ask: Could the future of skin care not be soap, but bacteria?

Inside the Episode

Biologist Christina Agapakis visits AOBiome in Cambridge, Mass. to talk with the team there that has developed a bacterial mist you spritz on your skin several times a day instead of showering.

Then, it’s off to rethink one of the most common skin problems, pimples. We meet Noa Kaplan, who makes sculptures based from ultra-magnified shots of her pores.

©Noa Kaplan

©Noa Kaplan

We also explore how fabric could support our skin’s ecosystem. Fashion futurist Suzanne Lee talks about the not-too-distant future when our clothes may do more than just cover us – they may be made from living bacteria and designed to interact with our skin. Check out this article about Suzanne’s process, and her TED Talk.

This episode was produced by Kerry Donahue and Sruthi Pinnamaneni, and mixed by David Herman.

Music credits:

Hauschka: “Cube” from Salon des amateurs

Four Tet: “As Serious As Your Life” from Rounds

Anna Meredith: “Bubble Gun” from Jet Black Raider

Pye Corner Audio: “Palais Spectres” from Sleep Games

Laurie Spiegel: “Patchwork” from The Expanding Universe

Inside the Episode:

Dr. Michelle Thaller speaks with Nancy Grace Roman, the first Head of Astrophysics at NASA, about how she got interested in the stars and her time working at NASA on the Hubble Space Telescope.

Then, Dr. Thaller meets with Jane Rigby, Deputy Operations Project Scientist for The James Webb Space Telescope, the next generation of space telescope, launching in 2018. Its mirror will be seven times the size of Hubble’s and will help astronomers see farther than they’ve ever seen before. Here are some photos of their visit:

Drs. Michelle Thaller (L) and Jane Rigby look into the clean room where NASA is building the James Webb Space Telescope. This six-story room is the largest clean room in the world.

Drs. Jane Rigby (L) and Michelle Thaller gaze up at a giant piece of machinery at NASA’s Goddard Space Flight Center that will be used to test the James Webb Space Telescope before its launch in 2018.

This episode was produced by Lauren Ober. Mix and sound design by Whitney Jones. Photos by Lauren Ober.

Inside the Episode:

The intention of these experiments was not to induce digestive discomfort for its own sake. Rather, they were part of an extensive study on how chemical preservatives in food — before regulations existed — could harm human beings over time. You might cringe at what was once used to keep food “fresh.”

Producer Sruthi Pinnamaneni gave us a closer look inside the story. About diving deep into archival materials, she says,

“I spent hours [at the Library of Congress], reading thousands of [Wiley’s] letters and squinting at his tiny journals.  It is when you know every curve and squiggle of a man’s handwriting that you feel as though you’re starting to get to know him!”

One surprising fact that she discovered while researching the piece was that while Wiley’s experiments contributed so much to food regulation, today’s practices still leave something to be desired:

“…The FDA doesn’t really test food additives anymore.  There are more than five thousand additives commonly found in processed food and most of them haven’t been tested on animals and almost none (except for dietary supplements) have been tested on humans.”

Sruthi sent us some photographs of the Poison Squad, Wiley, and some (how shall I put this?) unconventional tools that were used during the experiments.

William Carter with Wiley and the Poison Squad

Wiley in his lab

A letter showing interest in participating

A fecal drying machine

“None but the brave can eat the fare.” Are you brave enough? Full serving of intrigue and radio in this piece. Bon appetit.

The Poison Squad won Best Radio & Podcast Media at the Jackson Hole Science Media Awards in 2014.

The Poison Squad was produced by Sruthi Pinnamaneni with sound design by Brendan Baker. It was hosted for this episode of Transistor by Genevieve Sponsler and mixed for Transistor by Erika Lantz.

All photos: FDA

Futurama

Host Dr.Wendy Suzuki talks with Prof. Neal Cohen, a Neuroscientist from the University of Illinois Urbana-Champaign. For 20 years, Neal has used bad examples of amnesia that abound in pop culture as well as the rare accurate depictions as a powerful tool in his wildly popular undergraduate course about amnesia in pop culture. Neal entertains and educates his students with examples from TV shows and films as diverse as Futurama, Memento, and 50 First Dates, and we’ll hear some of those clips.

Inside the Episode:

Neal Cohen

Wendy and Neal illuminate some of the core features that define true amnesia, and discuss a classic finding that Neal published early in his career with Prof. Larry Squire, another expert on memory. They made the key distinction between “knowing how” and “knowing that.”

Most amnesic patients can’t learn or remember that particular things happened in at a particular time or in a particular place. In fact, patients with severe amnesia are no longer able to learn or remember anything about what has happened to them. However, Neal Cohen and Larry Squire showed that the same amnesic patients could learn and remember how to do things, like work a lock, or solve a puzzle with blocks, or swing a racquet. Thus, they could learn and remember how to do things, but not that those things had happened.

At the end of every class, Neal asks his students to write their own short screenplay about a character with amnesia. If you feel inspired after listening to the episode, send us an amnesia screenplay synopsis in the comments section!

This episode was hosted by Wendy Suzuki and produced by Julie Burstein, with editing and sound design by Derek John. Wendy Suzuki’s book Healthy Brain, Happy Life, goes on sale May 19, 2015.

Play with your own noisy rainbow — and learn more about each color — by clicking here:

Inside the Episode:

We meet Shelley, who uses pink noise to drown out the constant ringing in her head (tinnitus); Professor Trevor Cox at the Acoustic Engineering group at Salford explains why engineers need to classify different frequencies this way; and Cyrus Shahrad, electronic music producer, whose love of brown noise filters through into his work.

Producer/reporter Marnie Chesterton

We asked Marnie how she got interested in making a story about the science of sound.

She tells us that she came across this story idea after having heard about pink noise. She began an investigation sparked by her own curiosity about the spectrum of sound: “I started unpicking the stories of different colours of sound, mainly by talking about this topic to everyone I could think of,” she recounts. “After a few chats with various academics, I came to Professor Trevor Cox, an acoustic engineer at Salford University, who is obsessed with qualities of sound – reverb, echo.”

Prof. Trevor Cox

Through Trevor Cox, Chesterson got a first-hand look at an anechoic chamber, a whole room constructed to deaden any type of sound whatsoever. She describes the room as the most bizarre one she’s been in for a while: “The walls and ceiling are covered with these meter-long, dark grey foam spikes, and the floor, if you can call it that, is a mesh a bit like that of a trampoline. Through the holes in the floor, I could see down into darkness, maybe more foam spikes.”

Imagine a room that is so silent that the sounds seem to come from your own head. Chesterson explains, “The brain’s response to that kind of silence is to fill it with something, anything. And that’s what tinnitus is.”

If you’re interested in exploring the different bands of sound described in Chesterson’s story, you can play with the companion interactive rainbow of noise. Listen to which bands are used to treat tinnitus, to describe regime shifts in climate, to help sirens cut through background noise, and more.

A Rainbow of Noise was produced by Marnie Chesterton and mixed by Henry Hocking. It was hosted for this episode of Transistor by Genevieve Sponsler and mixed by Erika Lantz.

For one disease, poop — yes, human poop — is nothing short a miracle cure. Microbiologist Christina Agapakis takes a look at Fecal Microbiota Transplants or FMT and what happens when you take the really complex gut microbiome from a healthy person and transplant it into the gut of a really sick person. For patients suffering from a one of the most common and deadly hospital acquired infections, Clostridium Difficile, or C Diff, one poop transplant can cure them, sometimes within hours. But, why?

Inside the Episode:

Mark Smith shows host Christina Agapakis and

producer Kerry Donahue the container

donors, uh…”donate” in.

Sign on the door at OpenBiome,

reminding us of the importance of poop!

Christina visits Mark Smith at OpenBiome in Medford, Massachusetts. OpenBiome is a poop bank where donors are paid $40 bucks a po(o)p and where scientists like Mark produce highly screened, liquefied poop samples to be sent to doctors and hospitals all over the country.

Christina talks with Ed Yong, blogger at Not Exactly Rocket Science and author of a forthcoming book about microbes called I Contain Multitudes, about what we might be failing to ask in all of the excitement surrounding FMT.

Christina also talks with Tami Lieberman, a systems biologist at Harvard who decided to put some new home sampling kits for sequencing your gut microbiome to the test.

It’s a wild and wooly world out there when it comes to the medical power of poop. Who knew? Stay tuned.

This episode was produced by Kerry Donahue and Sruthi Pinnamaneni, and mixed by David Herman. Photos by Genevieve Sponsler.

Music credits:

Mort Garson: “Good Morning Starshine” from Electronic Hair Pieces

Anna Meredith: “Bubble Gun” from Jet Black Raider

Piero Piccioni: “Mexican Borders” from Piero Piccioni Soundtracks

Four Tet: “As Serious As Your Life” from Rounds

Hauschka: “Cube” from Salon des amateurs

Laurie Spiegel: “Patchwork” from The Expanding Universe

Space scientists are acutely aware of what can happen when climates change in other parts of our solar system. Take Venus, where it rains sulfuric acid and is 900°F on the surface, but it wasn’t always that way. Astrophysicist Michelle Thaller talks with a NASA expert on Venus about how it became a hellscape. And she talks with the Library of Congress’ inaugural chair of astrobiology about how to grasp this new geologic era where humans cause rapid change.

Inside the Episode:



Lori Glaze, the deputy director of the Solar System Exploration Division at NASA, studies Venus. Here are some fun facts about the planet often called the Morning Star:

• It takes longer for Venus to rotate once on its axis than it does to make one trip around the sun. Meaning that Venus’ days are longer than its years.
• After the moon, Venus is the brightest natural object in the sky.
• It rains sulphuric acid on Venus.
• Venus’ atmospheric pressure is 92 times what it is on Earth, which is enough to crush a human flat.
• Surface temperatures on Venus can get up to 880 degrees Fahrenheit.
• Venus boasts tens of thousands of volcanoes on its surface.

David Grinspoon is a senior scientist at the Planetary Science Institute and a Distinguished Visiting Scholar at the Library of Congress. He’s also plays music in the House Band of the Universe.

Check out one of his band’s performances at the Denver Museum of Nature and Science.

David’s music is also featured in this episode of Transistor.

This episode was produced by Lauren Ober. Mix and sound design by Whitney Jones.

Henry Moliason (Patient HM) in the lab

Imagine that every time you met someone new, the moment they left the room you forgot you had ever spoken to them, and when they returned it was as if you had never seen them before. Imagine remembering your childhood, your parents, the history you learned in school, but never being able to form a new long term memory after the age of 27.

Welcome to the life of the famous amnesic patient “HM”, who had experimental surgery to relieve his terrible epilepsy, and woke up with a profound memory impairment. Neuroscientist Suzanne Corkin studied HM for almost half a century, and considered him a friend, even though he could never remember how he knew her. Suzanne gives us a glimpse of what daily life was like for him, and his tremendous contribution to our understanding of how our memories work.

Inside the Episode

For 50 years, Patient HM’s true identity was hidden from the public, but when he died in 2008 we learned his name was Henry Moliason. We hear him speak in this episode, and talk about his cheerful willingness to undergo test after test (though once they were finished, he couldn’t remember ever having done them) in order to help others.

Suzanne Corkin has written a moving and fascinating account of HM’s life and contribution to science called Permanent Present Tense: The Unforgettable Life of the Amnesic Patient HM.

This episode was hosted by Wendy Suzuki and produced by Julie Burstein, with editing and sound design by Derek John. Host Wendy Suzuki’s book Healthy Brain, Happy Life, goes on sale May 19, 2015.

Brenda Milner in 2011 | Photo by Eva Blue

Wendy begins by talking with groundbreaking experimental psychologist Brenda Milner , who in the 1950s, completely changed our understanding of the parts of the brain important for forming new long-term memories. Through her observation and careful study of patients with profound amnesia, Brenda wrote a paper in 1957 that broke with the accepted theories about memory, and blew open the entire field of neuroscience.

Inside the Episode

The brain! The front view shows the location of the right and left hippocampus (in orange/yellow) within the brain’s temporal lobe. The side view shows the location of the left hippocampus (in orange/yellow) within the temporal lobe. (Click to enlarge.)

Brenda Milner was born in 1918, and she is still working and using the same wooden chair in her office at McGill University in Montreal, where she wrote her pioneering paper on HM and memory. In fact, if you listen carefully in the episode you may hear the faint squeak of her wooden desk chair, which she has used for more than 50 years. Brenda has received numerous prizes for her work, including the Kavli Prize in 2014.

HM as a young man

Patient HM is perhaps the most famous amnesic patient in history. He had experimental surgery in 1953 to address his severe epilepsy, and when he woke up it was immediately clear that something was horribly wrong.

Suzanne Corkin

For 47 years, Suzanne Corkin, a former student of Brenda Milner, studied HM in her own lab at MIT. She’s the author of Permanent Present Tense: The Unforgettable Life of the Amnesic Patient HM. We’ll hear more from Suzanne in the next episode of Transistor.

This episode was produced by Julie Burstein, with editing and sound design by Derek John. Host Wendy Suzuki’s book Healthy Brain, Happy Life, goes on sale May 19, 2015.

Brain image from Shutterstock.

In her episodes of Transistor, biologist Christina Agapakis is exploring the microbiome: the trillions of bacteria, fungi, and viruses that live in and on our body. The microbiome is hot right now and in these episodes Christina will explore what we do know in the face of so much hope and hype.

She starts with food. Bacteria-rich foods such as tempeh, cheese, pickles and yogurt have long been praised for their probiotic effect. But can you really add enough good bacteria to your digestive system to outnumber the bad?

Inside the Episode:

Barry’s business partner Gordon Bennett

mixing the Rhizopus culture into the soybeans.

Christina pays a visit to an industrial kitchen in Long Island City, Queens, where Barry Schwartz and a small team meet up every other week to make Barry’s Tempeh, the only fresh tempeh sold in New York State.

Wanting to better understand tempeh – aka “blue cheese of tofu” – Christina then calls her friend Colin Cahill in Indonesia where tempeh originated. He explains how it’s more than just soybeans and fungus that give tempeh in Indonesia its regional flavor.

Then, if a single bacteria food like tempeh is good, studying a more complex ecosystem like the bacteria on cheese rind might tell us more about bacteria interact with each other and in our digestive systems – at least that’s Harvard biologist Rachel Dutton‘s goal. She’s studied more than a hundred different types of cheese from around the world, trying to better understand how cheese gets its flavor and why they are all so different. She’s now the go-to biologist for world-famous chefs like David Chang of Momufuko and Jim Lahey of Sullivan Street Bakery in New York, helping them explore ways to make foods taste new, different and better.

Christina then shares her early love of fermentation with fermentation revivalist Sandor Katz. Sandor’s never met a fermented food he didn’t like, but he’s skeptical of anyone who says fermented foods can make us healthy on their own.

This episode was produced by Kerry Donahue and Sruthi Pinnamaneni, and mixed by Tim Einenkel.

Inside the Episode:

Astrobiologist Danny Glavin works at the NASA Goddard Center for Astrobiology. Here are some of those “mad scientist machines” from the lab.

This nanoelectrospray emitter is used by the lab to analyze very small samples. It gives sample molecules an electric charge, then transfers them to a mass spectrometer, which identifies the molecules by their mass.

Mass spectrometer instrument used to detect amino acids in meteorite sample extracts.

Learn more about Vatican planetary scientist Br. Guy Consolmagno and his most recent book.

This episode was produced by Lauren Ober and edited by Katie Davis. Mix and sound design by Whitney Jones.

Photos courtesy of NASA.